PORTFOLIO
Financial Times
Twelve books that help explain what is happening in Syria
Byline Times
The Economist
Russia is struggling to find its missing soldiers
Kidnappings of aid workers soar
Myanmar is ablaze as its war churns on
A genocide suspect faces trial
Misery by design: The Rohingya crisis
Violence in Afghanistan has dropped under the Taliban
Russia is disappearing vast numbers of Ukrainians
Why is Russia setting up detention centres in Ukraine?
A record number of journalists are in prison
No escape: the plight of the Rohingya worsens
Left behind: Afghanistan’s humanitarian crisis
A parched planet: drought and desertification
It’s not just covid-19: health services in Africa
A spiralling crisis: global hunger
Britain’s police in the dock: violence against women
The Intelligence: Why is Australia suffering from a mouse plague?
Why is Australia suffering from a mouse plague?
The Times
Open-source investigations
Ethiopian Civil War
Deadly crackdown in Somali region
Fano militias burning civilians
Allegations against Tigrayan forces using UN symbols
Eritrean and Ethiopian soldiers collaborating on Tigray’s border
Eritrean soldiers rounding up civilians
Arab-Israeli conflict
Clues to a targeted killing in the Occupied Palestinian Territories
Other activities
I developed workshops to train staff at Ethiopian Human Rights Commission to capture user-generated content and conduct open-source investigations in Addis Ababa. I also supported the Centre for Information Resilience’s Eyes on Russia Project.
I KILL YOU FOR NOTHING (2021): After a decade of political turmoil, war and widespread atrocities in the 1990s, the Balkans have slipped from the headlines and communities have been attempting to rebuild and cope with the legacy of conflict. Two decades after wars in Croatia, Bosnia, Kosovo, Slovenia, North Macedonia and Serbia, I travelled to the region in 2018 and 2019 photographing life in the post-conflict Balkans.
FRACTURED LEVANTINE (2020): In 2016 and 2017, I travelled to Israel, Lebanon, Palestine and occupied Syria where I documented life and conflict, ever-lurking beneath the surface, in a small part of the Middle East